From the Anonymous Lady to the Peales and the Sullys: Philadelphia’s Professional Women Artists of the Early Republic

The Colonial and Revolutionary periods in Philadelphia saw little art production by women outside the home. Not only did the religious and social culture of Philadelphia demand that women make the home and children their primary focus, but also there were no formal schools for instruction in either the fine or applied arts. Apprenticeships with painters, printmakers or sculptors were usually...
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The Pennsylvania Academy of Fine Arts: An Ideal and a Symbol

By 1805, the year the Pennsylvania Acad­emy of the Fine Arts was founded, Phila­delphia had achieved a large measure of political, social and economic stability. It had been the nation’s capital and contin­ued to thrive as a center of banking and commerce. The largest city in the United States at the opening of the nineteenth century, it was arguably the center of culture, with Boston its...
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The Man Who Bought Alice in Wonderland

On April 3, 1928, a slightly tipsy world, still reeling through the heady Twen­ties, focused its attention on Sotheby’s in London, where one of history’s most famous and beloved of all books was about to be auctioned. Through Sotheby’s dark pas­sages, an excited throng tum­bled into the large auction gallery to see who would offer the winning bid for Lewis Carroll’s...
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Bookshelf

Louis I. Kahn: In the Realm of Architec­ture by David Bruce Brownlee and David G. De Long Museum of Contemporary Art and Rizzoli International Publications, 1991 (448 pages, paper, $34.95) Louis I. Kahn (1901-1974) had strong ties to Philadelphia during his internationally acclaimed architectural career. He arrived in Philadelphia in 1906, and was encouraged by the Graphic Sketch Club, Central...
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No Featherweight in the Annals of Archery: The United Bowmen Of Philadelphia

The fraternal symbol­ism seems mysterious, even magical. A pavilion is outfitted with wings. In its center, a tall pole flies a flag bearing an insignia of a brass quiver stuffed with feathery arrows. The quiver is said to represent this little known club, and the arrows the fellowship and fraternity of its members. A belt – the ends of which form the bold letters U and B­ – which...
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Shorts

The seventeenth annual Conference on Black History will be conducted by the Pennsylvania Historical and Museum Commission on Friday and Saturday, May 13-14, 1994, in Erie. The theme of this year’s event is “African Americans at Work in Pennsyl­vania.” For additional information, write: 1994 Conference on Black History, Pennsylvania Historical and Museum Commission, P. O. Box...
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Susquehanna’s Painters

Few Pennsylvanians probably realize that Thomas Cole, Asher B. Durand, Thomas Doughty, Frederick Edwin Church and Jasper Francis Cropsey, the leading lights of the Hudson River school, the famous nineteenth century landscape tradition, painted the Susquehanna River or its tributaries. The most important works of Cropsey and Doughty – hailed as the luminar­ies of the Hudson River school...
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Currents

Famous Faces John W. Mosley (1907-1969), characterized by an admirer as “our most magnificent and beloved photographer,” was Philadelphia’s leading black photographer, whose images appeared in nearly every African American newspaper on the East Coast (see “His Eye Was On The Positive” by Richard D. Beards in the winter 1990 edition of Pennsylvania Heritage)....
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Painted With Pride in the U.S.A.

Although not a sketch artist like William Forbes and Alfred Waud, who drew scenes from the battlefield, African American painter David Bustill Bowser (1820-1900) is considered a Civil War artist-but for a much different reason. Active in Philadelphia from 1844 to 1889, he painted portraits of abolitionist John Brown and President Abraham Lincoln. Most important, he painted the regimental colors...
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Firm Foundations in Philadelphia: The Lewis and Clark Expedition’s Ties to Pennsylvania

For a century and a half, from 1807 until the early 1960s, the celebrated expedition undertaken by Meriwether Lewis (1774-1809) and William Clark (1770-1838) between 1803 and 1806 was generally perceived to be strictly a western United States phenomenon. Historians and educators who discussed it in their writings or in their teaching usually described the twenty-eight month ordeal as beginning...
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