Lancaster County: Diversity of People, Ideas and Economy

When Lancaster County was established on May 10, 1729, it became the proto­type for the sixty-three counties to follow. The original three counties­Philadelphia, Bucks and Chester – were created as copies of typical English shires. The frontier conditions of Ches­ter County’s backwoods, from which Lancaster was formed, presented knot­ty problems to the civilized English­men....
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The Stetson Company and Benevolent Feudalism

Philadelphia, during the first three decades of the twentieth century, was known for its great industrial enterprise. The city called itself the World’s Greatest Workshop and was a leader in the manufacture of more than 200 different items. It ranked first in the nation in the pro­duction of hosiery and knit goods, carpets and rugs, locomotives, street railway cars, saws, surgical...
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Pennsylvania’s Architectural Heritage: Representative Styles as Seen in Lancaster County

At the time of the Common­wealth of Pennsylvania’s Ter­centenary, it is appropriate that architecture receive special atten­tion. Of all the arts, architecture is most closely related to life itself: whether a barn or a cathedral, a build­ing satisfies a human need. Thus, buildings are a mirror of a given epoch’s ideals and functions. 1n this light, Pennsylvania’s architectural...
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Wilson Eyre: The Philadelphia Domestic Ideal

At the turn of the twentieth century, Wilson Eyre was at the height of his architectural powers. For sixteen years he had had a successful practice in Philadelphia, one of America’s major architectural centers. The United States bad become a world power, with money to give con­crete evidence of this in the buildings of her great cities, and Philadelphia’s blend of conservative...
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Pennsylvania’s Architectural Heritage: The Preservation Movement in the Keystone State, 1950-1981

As the last in a four-part series about Pennsylvania s architecture, this conclusion focuses on the develop­ments which have occurred in the field of preservation over the past thirty years. Although this temporal division may seem disproportionate when com­pared with the one hundred fifty years covered in rite preceding article. it has been dictated by both the incentives and challenges to...
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Iconographic Treasures at the Library Company of Philadelphia

In the summer of 1731, Benjamin Franklin later re­counted in his autobiography, “I set on foot my first Proj­ect of a public Nature, that for a Subscription Library.” He encouraged fifty subscribers to contribute forty shillings each for the purchase of books that were considered indispen­sable to colonial Americans, but were generally too expensive for any one individual alone to...
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Benjamin Henry Latrobe: The Artist as Commentator

Benjamin Henry La­trobe (1764-1820) is generally acknowl­edged to be America’s first professional architect and engineer, practicing in the United States from 1796, when he immigrated from England, until his untimely death from yellow fever in New Orleans in 1820. He worked, during that period, in cities as diverse as Richmond, Philadelphia, Balti­more, Washington, D.C., Pittsburgh, and...
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George H. Danner: The Retailer and His Relic Rooms

In the early 1930s Milton S. Hershey established an Indian Museum in the town which he had built around his chocolate factory. Like the town’s amusement park, ornate theater and fa­mous Starlight Ballroom, the museum was provided as a source of enjoyment and recre­ation for Hershey’s workers and their families. In 1935, in a move which broadened the focus of the original Indian...
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Samuel Yellin: With a Hammer for a Pencil

When Samuel Yellin opened his Arch Street Metal worker’s Studio in Philadelphia in 1920, most who shared his ancient craft had abandoned their tools in favor of other pursuits. Yellin was a blacksmith – he insisted on calling himself that, although clients flocked to him for his sculptural and artistic skill, rather than to have horses shod or plows mended. From his shop poured the...
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A Dynasty Tumbles

The saga begins and ends with two com­monplace scenes: a teenaged immigrant alighting a ship in colonial Philadelphia with but two letters of introduction and three guineas to his name, and a gravesite ringed by a half­-dozen black-clothed mourn­ers. But during the century and a half that encapsulates these vignettes, a Pennsylva­nia dynasty rose and fell- and rose and fell again. From Robert...
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