“And Who is Eakins?”

By late 1912, in his sixty­-eighth year, Thomas Eakins – who today is frequently referred to as the greatest of American painters, notwithstanding more familiar names such as Homer, Whistler and Wyeth­ – was a tired and ailing man. The compact, rugged physique he had retained throughout his middle years had finally given way; first, briefly, to an almost delicate obesity; then, with...
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Charles Grafly: An Apostle of American Art

From the earliest days through most of the nineteenth century, sculpture in America was the enterprise of w1tutored artisans, craftsmen, stonecutters, and woodcarvers modestly plying their trade on furniture, gravestones, figureheads, and shop signs. Lacking opportunities for academic training at home, ambitious craftsmen flocked first to Rome and, following the Civil War, to Paris to learn the...
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