Representing Pennsylvania’s “Precious Heritage”: Art of the State 50

Art of the State is an annual juried exhibition that has been showcasing the work of Pennsylvania’s artists at The State Museum of Pennsylvania since 1968. The body of art that has been exhibited reflects half a century of creative endeavor in the Keystone State. Through the years, exhibitors have shared their ideas and engaged viewers in the categories of painting, photography, craft,...
read more

Pennsylvania Icons: State Treasures Telling the Story of the Commonwealth

  Pennsylvania Icons is a landmark exhibition at The State Museum of Pennsylvania that tells the story of the commonwealth and its people, places, industries, creations and events with more than 400 artifacts and specimens from the museum’s collection. The State Museum contains the largest and most comprehensive Pennsylvania history collection in the world, with a diverse array of objects...
read more

Current and Coming

Horace Pippin Exhibition The Brandywine River Museum of Art on U.S. Route 1 in Chadds Ford, Delaware County, will present the special exhibition Horace Pippin: The Way I See It from April 18 to July 26. The show features more than 60 of Pippin’s works from American museums, universities and private collections. Pippin (1888–1946) was a self-taught painter who was active in West Chester, Chester...
read more

The Brandywine River Museum and Conservancy: Keeping the Brandywine Heritage Alive

One of the most treasured aspects of the artistic heritage of the Commonwealth is the Brandywine Tradition of representational paint­ing, a legacy around which much activity is centered. For years the beauty of southeastern Pennsylvania’s Brandy­wine River Valley has captivated artists and provided them with a natural studio. It seems appropriate, then, that this beautiful river valley...
read more

Black Cultural Development in Pennsylvania Since 1900

The cultural history of Blacks in America is varied and diverse. At the same time, it is deeply inter­woven into the whole of America’s cultural fabric. Yet, the significant cultural contributions of Black Amer­icans have been overlooked. Because of this omission, it was not until the beginning of the twentieth century that the art of Afro-Americans began to receive the recognition it so...
read more

Currents

Pippin “I Tell My Heart: The Art of Horace Pippin,” the largest and most comprehensive retrospective exhibition of the work of this important African American artist and preemi­nent self-taught painter, will begin its national tour at the Museum of American Art of the Pennsylvania Academy of the Fine Arts in Philadelphia on Friday, January 21, 1994. This exhibition will present a...
read more

Pippin

Artistic reputations are – much like the stock market – hard to assess, and harder yet to predict. Such is the case with the career of Horace Pippin (1888-1946), a self-taught African American painter who lived in West Chester in southeastern Pennsylvania. An artist of national standing by the early 1940s, Pippin had made a meteoric rise from the local renown of his Chester County...
read more

Letters to the Editor

Horace Pippin Judith E. Stein’s article, “Pippin,” in the spring 1994 edition prompted me to visit the Pennsylvania Academy of the Fine Arts’ exhibition, which I truly enjoyed. Since I really enjoyed the arti­cle, I have passed around my copy and cannot remember when this traveling exhibit returns to the East Coast. How timely (and clever) for Pennsylvania Heritage to...
read more

Currents

Famous Faces John W. Mosley (1907-1969), characterized by an admirer as “our most magnificent and beloved photographer,” was Philadelphia’s leading black photographer, whose images appeared in nearly every African American newspaper on the East Coast (see “His Eye Was On The Positive” by Richard D. Beards in the winter 1990 edition of Pennsylvania Heritage)....
read more

Celebrating Fifty Years of State Historical Markers

On a September day in 1946, three men stood alongside U.S. Route 22, fourteen miles east of Harrisburg, inspecting a distinctive blue and gold sign that had just been erected. They were James H. Duff, chairman of the Pennsylvania Historical and Museum Commission (who in four months would be inaugurated the Commonwealth’s thirty­-fourth governor), and Commission members Charles G. Webb and...
read more